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 HBO Max has a wealth of deadly films (and by deadly, we mean literally deadly). The live streaming service is common to boxers, and we are here to let you know that the selection is packed with scary themes. Completed with awesome, thrilling, and absolutely stunning decisions, the HBO Max should be your ultimate movie stopper if you are looking for a hot game that will make the whole body cool. Older titles like Jaws and Kill Bill are perfect for your viewing fun, as well as new hits like Ma and The Little Things, which should definitely be on the line.

Whether you are looking at the tremor or your guilty pleasure is watching the play that makes your heart beat, these exciting psychological stories at HBO Max will give you exactly what you need. Check out the hottest articles you can stream now. Because there is no such thing as a movie night like being too scared to turn off the lights.

Read more at: Best HBO Max Mini Series

New Jack City


Drug mafia Nino Brown (Wesley Snipes) and his workers, known together as the Cash Money Brothers, have quickly risen to the top of the New York City drugs business. Under Nino’s ruthless leadership, the drug operation has upgraded into a multimillion-dollar empire. Scotty (Ice-T) and Nick (Judd Nelson), two police officers who are well informed about the streets of Harlem, aim to take Nino and his comradess down. Although to do so, they will have to act like one of Nino’s men and go undercover.

Ratings: 6.6/10IMDb New Jack City scored 6.6 out of 10 on IMDb.

77% Rotten Tomatoes New Jack City scored 77 percent on Rotten Tomatoes.

3.3/5 Letterboxd

Director: Mario Van Peebles

Jackie Brown (1997)


Director/Writer: Quentin Tarantino

Cast: Pam Grier, Robert Forster, Samuel L. Jackson, Michael Keaton, Robert De Niro, Bridget Fonda, and Chris Tucker

Jackie Brown is the nearest Quentin Tarantino has ever come to coming up with a straight “Oscar movie,” and even then, it’s very particularly a Tarantino film. Adapting Elmore Leonard’s novel Rum Punch was an amazing choice following Tarantino’s Pulp Fiction, but Jackie Brown is one of the richest characters in QT. Pam Grier plays the star as a flight attendant wrapped up in a money laundering scheme, clashing with criminals, the ATF, and the FBI alike. But at heart, Jackie Brown is a love story between Grier and Robert Forster, and the film portrays the soft and refreshing side of Tarantino. There’s violence, of course, but Jackie Brown remains one of Tarantino’s best and less infamous films.

The Dead Zone (1983)


Director: David Cronenberg

Writer: Jeffrey Boam

Cast: Christopher Walken, Brooke Adams, Tom Skerritt, Herbert Lom, Anthony Zerbe

David Cronenberg, Stephen King, Christopher Walken, Martin Sheen — these words should be enough to see this mental mystery worthy of attention by any film fan. The 1983 adaptation of Dead Zone is a colorful, solid, space film about a man named Johnny Smith (Christopher Walken) who wakes up in a coma as a kinesthetic mind, a person who can get psychic ideas through physical contact with other people. Disaster perceptions compel him to intervene in the lives of his community. Walken is soft and driven like a man determined to change the future, while Martin Sheen stands out as a focused and crazy Greg Stilson, determined to see his vision for the future come true. Coupling director David Cronenberg and cinematographer Mark Irwin once again hit gold after their collaboration with Skena and Videodrome. The Dead Zone is one of Stephen King’s older, better versions that should not be thrown into the sea by other King ideas that have been produced in almost 40 years since its release.

Promising Young Woman (2020)


Director/Writer: Emerald Fennell

Cast: Carey Mulligan, Bo Burnham, Allison Brie, Jennifer Coolidge, Laverne Cox

The Promising Young Woman challenges the normal process of retaliation and presents a powerful and destructive story without feeling exploited. Cassie (Carey Mulligan) is still grieving over the death of her friend Nina. Nina was beaten by other classmates at the med school and committed suicide after the school did nothing to punish them. Now trapped in a sense of injustice at the time, Cassie spends her night convincing men that she is too drunk to defend herself in order to prove her worth and face them when she tries to take advantage of her. This subjugation of the “good boys” in a conscious way leads to Cassie eventually following the people who were responsible for Nina’s death. He believes the only way to get revenge on Nina is to make them acknowledge their role in it. Despite the controversy – and admittedly blurred – the end of the film, Emerald Fennell brings the much-needed women’s lens to the genre. Like any fun game, the Promising Young Woman will leave you feeling uncomfortable after the credits are in place.

Memento (2000)


Director: Christopher Nolan

Writer: Christopher Nolan, Jonathan Nolan

Cast: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano

One of the earliest letters from lead author Christopher Nolan, Memento is a film that continues to incorporate history and character set in the unreliable view of a man who loses momentary memory. The man is Leonard (Guy Pearce) and has drawn important details about the murder of his wife on his body so that he does not forget. The film’s narrative is deliberately broken, showing two timeline lines. One, black and white, progresses within a few calls. The other, in color, is displayed in reverse order and ensures that important revelations are shown slowly and unexpectedly. The film, which offers Nolan’s first impression of both the moment and the mental picture of it, returns the curtain to one man’s mind as he begins to understand how he wants to lead the rest of his life.

Contagion (2011)


Director: Steven Soderbergh

Writer: Scott Z. Burns

Cast: Matt Damon, Marion Cotillard, Laurence Fishburne, Kate Winslet, Jude Law

When the Contagion first came out, the world was a very different place. Now, with our current presence deeply reminding us of the main features of the film, Steven Soderbergh’s vision of the epidemic has become even more evident. Social science and horror, includes a group of actors who all face the turmoil of a global epidemic that destroys the world as we know it. The concerts are colorful and the narrative is as compelling as anything you will ever see on such a topic. It moves amazingly well and is driven to care for its characters, creating empathy as it expresses a world in which such feelings are taxed. It’s not about narrative catharsis or a dream, instead of telling a narrative story about what society does when it’s under a lot of pressure. That is the only such story that can and will continue to be as we continue to live in a world very similar to Soderbergh’s imagination.